Red Hot Chili Peppers – Stadium Arcadium (2006) [2015 Remastered]

Rubin may be able to create the right atmosphere for Flea and John Frusciante to run wild creatively — an opportunity that they seize here, which is indeed a pleasure to hear — but he does nothing to encourage them to brighten the finished recording up with some different textures, or even a greater variety of guitar tones. As such, the bare-bone production combined with the relentless march of songs gives Stadium Arcadium the undeniable feel of wading through the demos for a promising project instead of a sprawling statement of purpose; there’s not enough purpose here for it to be a statement. That fault is down to the band not forming the raw material into something palatable for the listener, but there’s also the problem that as a lyricist Anthony Kiedis just isn’t that deep or clever enough to provide cohesive themes for an album of this length; he tackles no new themes here, nor does he provide new insight to familiar topics. To his credit, he does display a greater versatility as a vocalist, cutting back on the hambone rapping that used to be his signature and crooning throughout the bulk of this album, usually on key. That said, he still has enough goofy tics to undercut his attempts at sincerity, and he tends to be a bit of a liability to the band as a whole; with a different singer, who could help shape and deliver these songs, this album might not seem as formless and gormless. But there is a fair amount of pleasures here, all down to the interplay between Flea and Frusciante. While drummer Chad Smith does prove himself quite versatile here, gracefully following the eccentric turns and meanderings of the bassist and guitarist, the string instruments are the reason to listen to Stadium Arcadium. That’s always been the case to a certain extent with the Chili Peppers, but here it’s especially true, as they push and pull, rave and rumble, lie back and rock out — pretty much spit out anything they can do on their instruments over the course of 28 songs. As good as much of this is, there is a little bit of monotony here, since they’re working variations on their signature themes, and they haven’t found a way to make these variations either transcendent or new; they’re just very good renditions on familiar themes. These tracks rarely betray their origins as studio jams — more than ever, it’s possible to hear that the track came first, then the song — and while that can result in some good listening, it all does kind of drift together. That said, there are no bad tracks here — it’s all of a relatively high quality — but there are no standouts either, so it takes a very dedicated fan to start sorting out the subtleties between the tracks (not the wheat from the chaff, since it’s all wheat). And while those hardcore fans may certainly enjoy the make-your-own-adventure spirit of Stadium Arcadium, it’s hard not to feel that it’s the band’s responsibility to take this very good repetitive album and mold it into something sharper and more effective. So call it the rock version of Peter Jackson’s King Kong: there’s something pretty great and lean buried beneath the excess, but it’s so indulgent, it’s a work that only a fanboy could truly love.

[u]Tracklist:[/u]
[u]Jupiter[/u]
1 Dani California 4:43
2 Snow ((Hey Oh)) 5:34
3 Charlie 4:37
4 Stadium Arcadium 5:15
5 Hump De Bump 3:33
6 She’s Only 18 3:25
7 Slow Cheetah 5:20
8 Torture Me 3:44
9 Strip My Mind 4:19
10 Especially In Michigan 4:01
11 Warlocks 3:25
12 C’mon Girl 3:48
13 Wet Sand 5:09
14 Hey 5:39

[u]Mars[/u]
15 Desecration Smile 5:02
16 Tell Me Baby 4:07
17 Hard To Concentrate 4:02
18 21st Century 4:22
19 She Looks To Me 4:06
20 Readymade 4:30
21 If 2:52
22 Make You Feel Better 3:52
23 Animal Bar 5:25
24 So Much I 3:44
25 Storm In A Teacup 3:45
26 We Believe 3:36
27 Turn It Again 6:06
28 Death Of A Martian 4:24

Flea – bass, backing vocals, trumpet
John Frusciante – guitars, backing vocals, keyboards
Anthony Kiedis – lead vocals
Chad Smith – drums, percussion

[u]Additional musicians:[/u]
Natalie Baber,Mylissa Hoffman,Alexis Izenstark,Spencer Izenstark,Dylan Lerner,Kyle Lerner,Gabrielle Mosbe,Monique Mosbe,Sophia Mosbe,Isabella Shmelev,Landen Starman,Wyatt Starkman – background vocals on "We Believe"
Michael Bulger – trombone on "Turn It Again"
Lenny Castro – percussion
Paulinho da Costa – percussion
Richard Dodd – cello on "She Looks to Me"
Emily Kokal – chorus vocals on "Desecration Smile"
Billy Preston – clavinet on "Warlocks"
Omar Rodriguez-Lopez – guitar solo on "Especially in Michigan"
Brad Warnaar – French horn on "Stadium Arcadium"

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