Melodic Rock Info

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Zombie Scars – Revenant 2012

NOW! Motörhead+Pantera+Slayer…VERY

Thrash but not only. The disc of onset of Zombie Scars proposes to overcome the narrow spaces of the revival thrash offering a vision as less personnel of matter. An attempt is made now necessary, given the inflation that the movement, although relatively new, is already showing. No longer enough to know how to play, not just show love and passion, skill and attitude: we must have recourse to a dowry that only a few can actually boast the personality. The band, formed in 2011 from the ashes of the previous experiences of the guitarist and drummer Marco Francesco Riganelli Milloni (both ex-Fear Traders), proves that he already clear its ambitions and in little more than a year here comes the publication of this Revenant , which follows an EP Spirits, published in September 2011. Dates back to reality even as important as Blaze Bayley, DGM, Ciompo Rock and Pino Scotto, are part of a curriculum already quite rich, which sheds light on the will of this band is strong and determined.

Träumen Von Aurora – Sehnsuchts Wogen (2012)

Conceptual records are really fun and it absolutely doesn’t matter what they are about, as you can normally hear how much work the musicians had in composing the record. The latest record of träumen von aurora is a post-metal (respectively post-black metal) one and therefore quite depressive/sad, but still worth listening?

Jake E. Lee – A Fine Pink Mist 1996

Artist: Jake E. Lee
Title Of Album: A Fine Pink Mist
Year Of Release: 1996
Genre, Style: Instrumental Guitar Rock, Heavy Metal, Shred
Country: USA
Type, Quality: CBR 320 kbps
Total Size: 102 mb

Jake E. Lee (Jakey Lou Williams) guitars of Ratt, Ozzy Osbourne, Badlands

BLOODGOOD – Rock In A Hard Place [remastered] (2012)

BLOODGOOD was one of the most underrated American Hard Rock acts of the ’80s, perhaps due their Christian origins. But they were a real quality band in the genre.
After two pretty heavy albums, they changed the musical approach to the dominating glossy-sounding Hard Rock around 1988.
“Rock In A Hard Place” is one of my favorite albums in this style from the 2nd half of the eighties.
It’s commercial yet defiant, melodic, with catchy songs and that ‘big’ production; razor compressed guitars courtesy of the great David Zaffiro, shouting vocals, bombastic drums and even some keyboards into the mix.
Talking about the mix, there’s was a big problem with the original release of “Rock In A Hard Place”: the bass lines were almost completely missing.

Big Frank & The Healers – Sparky’s Lounge (2012)

“Blues like it oughta be:” Big Frank’s virtuoso slide-guitar and raw howlin’ vocals, plus the band’s driving electric blues sound are it.

BIG FRANK & THE HEALERS are a traditional electric blues band playing chiefly in the Chicago and Delta blues styles, while touching on the swampy sounds of Louisiana and Texas. The band has been cited in publications as far afield as Austria’s ‘Blues Gazette’. Local favorites, they have appeared in nightclubs and performed at many concerts including the headline spot at the 2004 Lake George Blues Festival. They were featured artists at The Glens Falls Blues Festival, and the Blues 2000+4 Festival. For several years they’ve played to concert crowds, including performances at Rockefeller Center’s City Sounds, Staten Island’s Back-to-the-Beach and Twilight series, and at Snug Harbor Cultural Center.

Leader, guitarist, and vocalist “BIG FRANK” MIRRA founded Big Frank & The Healers. On his ‘King Biscuit Flour Hour’ show, KFFA radio’s Sonny Payne likened Frank’s playing to that of Hound Dog Taylor. Frank’s specialty is slide guitar. His other credits include The Mohair Sam Band and The Street Hawks, an acoustic group which focuses early roots music.