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Marillion – Sounds That Can’t Be Made (2012)

Even though this track list hasn’t been officially announced in this order, I’m going with this, as there are many who’ve heard it, the below video shows the songs in this order, plus the story below it shows it as well.

The British band Marillion has released the first song from its September album, Sounds that Can’t Be Made. The new song, “Power,” is a mid-paced rocker with a prominent burbling bass line, lock-step drums and an intricate lace of chiming guitars and keyboards. Singer Steve Hogarth delivers an anguished vocal about the perplexing ways a lover casually wields power over him. The song’s quiet, rain-sodden middle-eight suddenly shifts into a surging tsunami of an outro, which features torrid soloing by guitarist Steve Rothery. (Hear it, below.)

Progressive Rock
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Urbansnake – Who Says Goodnight 2012

NOW!

Growing up in and around the West Coast music scene in the 80s and 90s, it’s in my blood to think that the second wave of heavy rock bands naturally comes from the Left Coast. Bands like Van Halen, Megadeth, and, of course, Metallica. Then I heard New-York-based Urbansnake. Until Urbansnake, there was nobody out there, that I had come across, that could throw down a challenge to cornerstone bands like these and walk away intact.

Urbansnake is honest, in your face, balls to the wall, no bullshit rock. The first time I played “Postal” on Sirius Satellite and my companion online show, UC Radio, listener reaction was overwhelming. I had to give in and admit that there was a challenger to the West Coast Metal sound, and that this beast from the East was not only doing it right, but that they were doing it right on every song.

All Exclusive | Hard Rock
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Prototype – Catalyst (2012)

Let me say that the musicianship displayed is stellar. Sweeping riffs and dazzling leads help to solidify the top notch guitar work this band has. Each song really captures the sci-fi concept that Catalyst portrays. One of the first aspects that grabbed me was how well this album gelled together. With a concept album, many times the pacing can seem forced, almost puzzle-pieced together; not here. Prototype tells a very intricate story that uses all of themselves to convey their seamless message track to track. The three instrumentals, “Inceptum,” “Illuminatum,” and “Impetus” all act as page dividers, as they are breaking points to begin and separate distinct parts of the story being told. Of them, “Illuminatum” is my personal favorite as I find it really gives the picture of the heart and soul of not only the band, but the whole of Catalyst in its scope and precision.

Progressive Rock
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Transcend – The Mind (2012)

Transcend brings a whole new musical world to the table in the epic masterpiece: The Mind. Ranging from the heaviest riffs and odd-time extended instrumental sections to soft male-female vocal duets and Greek Bouzouki parts, we are taken on an inspiring journey by these young virtuosos. Although Transcend echoes with originality, their influences remain clear and often intentionally obvious to any fans of Progressive Metal. Their music screams; Dream Theater, Symphony X, Pain of Salvation, Devin Townsend and Opeth – but also takes us to dreamier worlds like those of Pink Floyd, King Crimson and at times even Elton John and The Tea Party.

Progressive Rock
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Everette Harp – First Love 2009

Artist: Everette Harp
Title Of Album: First Love
Year Of Release: 2009
Genre, Style: Jazz, Smooth Jazz
Country: USA
Type, Quality: CBR 320 kbps
Total Size: 150 mb

Jazz
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