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SPHERIC UNIVERSE EXPERIENCE – THE NEW EVE 2012

Though I’ve had listening experience with France’s Spheric Universe Experience and their 2009 release Unreal, I passed it off to my son to review. However, I’m not entirely sure why. Perhaps, it’s because, as he said, the variation between songs was suspect.

I’m not sure I would draw the same conclusion with this year’s The New Eve. This is definitely a progressive metal album, notable on the first three songs at the start, and elsewhere. Yet listening to Never Heal and The Day I Died, I think I hear some modern alternative rock undercurrents. If anything has a modern metal feel it’s Self Abuse with a touch of growling vocals. But that could simply be me searching hard for the dissimilarity between arrangements. If you’re not careful, the riffage will run together, which is the exact thing that tripped up my son three years ago.

All Exclusive | Progressive Rock
Posted on September 13, 2012 by admin

MEAN MOTHER- Rock-N-Roll Shakedown 2012

Hailing from Detroit, MEAN MOTHER make it easy for the listener because the title of their first album contains an appropriate reference to the musical content. It’s time for some good old rock ‘n’ roll. Having said that, MEAN MOTHER do not offer the traditional 1950’s version, but more of an updated version that is powered by heavy riffs and hardrock influences. This way it would be clear that there will be no essays about the complexity of the songs, the in depth meaning of the lyrics…but ‘Rock-N-Roll Shakedown’ can give you a good time as long as you have a preference for this kind of music. MEAN MOTHER is not a complete throwback to an old school era of hard rock music. Similar to some classic rock bands, they haven enriched their tracks with a modern edge, whereby I do not mean this negatively. These four guys have managed to infuse their own energy and flavor to make this sound new and fresh.

In doing this, MEAN MOTHER are definitely not the most original band but that is not a problem, because there are plenty of good hooks – and this is the most important part of rock ‘n’ roll, isn’t it? There is for example ‘Kill For The Thrill’ that catches my attention with some menacing metal riffs which are embedded in a forceful mid-tempo groove. The twin-guitar attack of Roxy Vega and Cobra O’Kelly is perfectly brought into play and supported by a tight rhythm section, consisting of Clint Debone and Bronco Johnson. However it’s not all gold, which shines. Sometimes the clear vocals could be more efficiently and powerful. That would better suit the hard ass-kickin riffs.

Hard Rock
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