Band Pothead
Info: Chaudiere
Info: Germany
Style: Stoner Hard Rock
Years: 2006
Info: MP3 CBR 320 kbps
Info: 109 ?b
Upload: Depositfiles;Rapidgator;Lettitbit
Heartbreaks & Happy Endings is doing very well as an independent release. We’d like to thank each and every one of you that has purchased our debut full-length record. So far, we have sold units in Ohio, New York, Pennsylvania, Texas, Illinois, Tennessee, and South Carolina!
Make sure to read this incredible review of “Heartbreaks” by Egor Sadovnic, Executive Director of Melos Entertainment, HERE. Egor’s word choice is quite articulate and aptly describes the vision of Ariemma and Co.
NOW!ULTIMATE!
JULY 20TH, 2012 RELEASE: A cross-section for the band’s career, this DOUBLE-CD Germany Import features mastermind Zakk Stevens, formerly of “Savatage”! Not only hits of the previous five releases are on here, but alsoRARE tracks and LIMITED EDITION SINGLE release versions are featured on this EXPLOSIVE 32-TRACK 2CD GERMANY IMPORT! All songs have been remastered in the Swedish Panic Room Studios (e.g. SCAR SYMMETRY) as well! 2012 GERMANY IMPORTED |
Now!My Love…
Rock singer Cecilia Gholamy released her first single “Loco Amor” by the company Dusty Road Records in september. On the new single, she has worked with, among others, guitarist / producer Oz Osukaru. Later this year expected a debut album to be released. If you want to know more about Cecilia Gholamy can visit her
You might have noticed that I have a routine of genre-tagging bands right in the first paragraph of a review I’m writing, in case my readers aren’t bored enough to go through 300 words describing an album which is not of interest to them. Well, this time you’ll just have to read the review, because this stuff is hard to pigeonhole.
Prominent bass, prominent drums (I quit counting around the sixth drum solo), a guitar player channeling every (positive) cliché in metal guitar, from riffs and guitarmonies laden with Maiden-worship to classic shredding, short appearances of synths/piano and a singer with a gentle, melodious approach take you on a journey through heavy, prog, thrash, and Opethian – or more precisely, Damnation-esque – ballads. Random cameos of other (metal and non-metal) subgenres find their place here as well. The genre-hopping doesn’t take place within songs themselves – each (long!) song is mostly dedicated to one particular “style”.