he foundations of Fortaleza (Castle) were set down in 2004, and since then have safely stashed 3 terrific albums in their vaults. A slight change in style has been heralded the addition of Oculta to their name, also the title of this brand new album, as they move away from their light gothic rock/metal style to a more epic up-tempo symphonic sound that knocks on the gatehouse of power metal without pushing the door down as they retain their lightness of touch and distinctive Latin flavour. Part of this is down to new keys man Pablo who adds orchestral sounds into the mix as well as some decorative Moog machicolations, and he joined by their gorgeous new singer Ariana, who has a voice that’s not too dissimilar to Sy Armonight.
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Metallica – Orion Music + More (The Black Album) / Fest-Night II (2012)
Once the lads from Sheffield finished their strong set, Metallica took the stage to the familiar strains of their longtime Ennio Morricone-penned opener, “The Ecstasy of Gold,” and immediately brought their fans way back – as far back as possible – to the first song the band ever recorded, “Hit the Lights.” They wasted no time further laying on the thrash with “Master of Puppets” and “The Four Horsemen.” The much-hyped Ride the Lightning section arrived a few songs later, with the band performing the album in reverse, probably an easy decision for a record that ends with a long and winding instrumental (“The Call of Ktulu”) and begins with as fast, heavy and precise a track as the band has ever written (“Fight Fire With Fire”). The song “Escape” received its world premiere, a somewhat shocking feat for a 28-year-old song, but hearing it live served as a sufficient reminder as to why it had been cast aside for so long.