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Siena Root – Root Jam (2011)

ROOT JAM is #37 on the Swedish album chart this week! Fall tour 2011 

On november 16th, the double live album, “Root Jam”, will be released. This album features all the elements of the band, from the debut up to recent days. Root Jam is the album that covers the whole colourful spectra of Siena Root, and it’s all straight from the stage. No overdubs or studio takes what so ever. The double CD will be released on Transubstans Records and the double vinyl on Clear Spot´s Headspin Records.

CD1:
01. Introduction
02. The Rat
03. Waiting For The Sun
04. Bhimpalasi
05. Into The Woods
06. Words

CD2:
07. Trippin
08. Bhairavi Thumri
09. Dreams Of Tomorrow
10. Long Way From Home
11. Rasayana
12. Reverberations

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Live

Total Eclipse – Spellcaster (2008)


Band Total Eclipse
Info: Spellcaster
Style: Power Metal
Years: 2008
Info: MP3 CBR 320 kbs
Info: 133.78 MB
Info: USA

Tracklist:

01 Hell On Earth.
02 Final Evolution.
03 Storm Warning.
04 Spellcaster.
05 7 Trials.
06 The Flames Of Eternityr.
07 Above & Below.
08 Ashes Of Eden.

Rip By: TrueSteel

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Lord Volture – Never Cry Wolf (2011)

Artist LORD VOLTURE
Title Never Cry Wolf
Homepage LORD VOLTURE
Label EIGENPRODUKTION
Leserbewertung 9.50 von 10 Punkten (6 Bewertungen)

Nach dem famosen 2010er-Debut “Beast of Thunder” liegt nun schon der Nachfolger vor mit “Never Cry Wolf”. Und das auch wieder im edlen Digi-Pack in Eigenregie (was enorm verwundert bei der Qualität der holländischen Combo!). Das Debut erntete durch die Bank in allen Magazinen gute bis hervorragende Kritiken und bot wesentlich stärkeren Stoff, als einem oft von Labels angedreht wird. Es steht auch weiterhin US-Power Metal der Marke ICED EARTH, JAG PANZER, CAGE oder VICIOUS RUMORS auf dem Plan. Mit den 11 hier gebotenen Songs(bei satten 68 Minuten!), amtlich produziert von Yuma van Eekelen (PESTILENCE) und Bart Hennephof (TEXTURES), muss man sich keinesfalls hinter den Genannten verstecken!

OK, soviel Power und Esprit wie VICIOUS RUMORS und so viel Ohrwurmpotenzial wie ICED EARTH hat man zwar (noch) nicht, aber gegen die restliche Konkurrenz kann man anstinken. Nach dem zackigen Titeltrack zu Beginn, geht´s mit dem epischer groovenden “Taiga” weiter – Schaffers Mannschaft ist hier im Sound ganz nah dabei. Bandgründer und Sänger David Marcelis hat ebenso wie Matt Barlow hohe Schreie genauso drauf, wie cleanen Gesang oder kraftvolles Shouting und ebenso wie ICED EARTH wechseln LORD VOLTURE gekonnt zwischen groovenderen Tracks, längeren Epics und fast schon thrashigen Bangern (“Korgon´s Descent”). Paul Mercelis und Leon Hermans glänzen dabei an ihren Äxten, die Soli sind Klasse und die Rhythmusfraktion Simon Geurts (Bass)/ Frank Wintermans (Drums) hat immer das passende Gerüst am Start. Mit Abgeh-Brettern wie eben “Korgon´s Descent” oder “Necro Nation” kratzt man schon am ANNIHILATOR-Sound (Jeff Waters war ja auch Gast auf Album No.1), deren Fans dürfen also durchaus auch mal ein Ohr riskieren. Mit dem fast 8-minütigen, teils IRON MAIDEN-lastigen “Into the Lair of a Lion” hat man kurz vor Schluss noch ein weiteres Epic-Highlight geparkt, das es unbedingt zu entdecken gilt. Hier steuert auch Sean Peck von CAGE einige kraftvolle Gastvocals bei. Trotz der Länge der meisten Tracks schaffen es LORD VOLTURE, keine Längen zu produzieren und den Hörer jederzeit an die Anlage zu binden. Nach dem akustischen Zwischensong “Brother” folgt nochmal ein siebeneinhalb-minütiger ICED EARTH-Ritt deluxe mit “The Wolf at your Door”, der dem Vergleich aber auch standhalten kann! Abgerundet wird diese enorm starke Vorstellung vom bereits eingangs erwähnten sehr schicken Digi-Pack nebst dickem Booklet – äußerst professionell!

US-Metalfans, ICED EARTH im Besonderen, sollten sich umgehend diese tolle Scheibe (und die Erste gleich dazu) besorgen! LORD VOLTURE sind etlichen kommerziell größeren Label-Luftikussen unbedingt vorzuziehen… do it!

01. Never Cry Wolf
02. Taiga
03. Wendigo
04. Celestial Bodies Fall
05. Korgon’s Descent
06. Minutes to Madness
07. Necro Nation
08. I Am King
09. Into The Lair Of A Lion
10. Brother
11. The Wolf at your Door

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album

Captain Sensible – Women And Captains First (1982)

Band Captain Sensible
Info: Women And Captains First
Style: New Wave
Years: 1982
Info: 320 kbps
Info: 140 mb
Info: U.K.

Tracklist:

Wot
A Nice Cup Of Tea
Brenda Part 1
Brenda Part 2
Yanks With Guns
Happy Talk
Martha The Mouth
Nobody’s Sweetheart
(What D’Ya Give) The Man Who’s Gotten Everything
Who Is Melody Lee, Sid?
Gimme A Uniform
Croydon

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Imagining Yellow Suns – Imagining Yellow Suns (1990)

Band Imagining Yellow Suns
Info: Imagining Yellow Suns
Style: Neopsychodelic Rock
Years: 1990
Info: 192 kbps
Info: 68 mb
Info: USA

Tracklist:

Alone (And In The Dark)
Thursday Nights
The News…Everybody’s High
Black Crow
Are You There?
Sea Of Self
Journey From The Sun
Who Owns The Land?
Advice
Billy Boy

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CROSSFORCE – ROCKIN’ ‘TIL THE FINAL DAY 2011

Widely regarded as one of the more underrated Christian metal bands to come out of the eighties, Crossforce originated as a result of a joining between Bay Area musician’s vocalist/guitarist Tony Krider (Golgatha), guitarist Phil Castillo and bassist Jeff Scott.  The group later rounded out its line up with drummer Mark Cassettari (also Golgatha) and keyboardist Mark Wrapley and went on to rank alongside Soldier, Valor, Believer and Golgatha as leading players in the Bay Area Christian metal scene.

The Crossforce resume is without question, having played local clubs Mabuhay Gardens, The Rock, The Omni and others in addition to Christian metal festivals His Festival and Metal Mardi Gras.  Well known fanzines of the day such as Heaven’s MetalWhite Throne and Risen Roxx also featured Crossforce as a result of the highly acclaimed 6 song demo it released in 1986, which sold all 500 copies printed.  Despite these successes and garnering its share of buzz and interest within the burgeoning “white metal” scene, Crossforce, disappointingly, disbanded in the late eighties without having landed a label deal.

The Crossforce demo, as one might imagine, has been a highly sought after and hard to find collectors item for years, with copies going for as high as $100 on eBay.  The good news, however, is that Roxx Production – in order to commemorate the 25th anniversary of the demo – re-mastered and re-issued it in the summer of 2011 on a limited basis (also 500 copies).  In addition to the original 6 demo songs, a second demo – even rarer and scarcer – was also included made up of 7 additional songs the group recorded live in the studio exclusively for Jimmy Kempner of Frontline Records.

What we have in Crossforce is eighties metal, pure and simple.  The group stands out with its understated heaviness, almost leaning towards some NWOBHM and classic metal influences in places, while proving masterful in its ability to interweave its material with standout hooks and melodies.  Yes, you will find the occasional commercial element in the Crossforce sound (those that describe them as melodic metal would be far from unfair) but balanced with enough guitar driven proclivities to keep things fresh with repeated listen.

Highlights to the “1986” demo include the riff driven “Our Father” and Christian metal anthem “Rockin’ Til The Final Day”, two tracks that were also featured on the Metal Mardi Grasvideo from 1987.  Faster numbers “Out Of The Darkness” and “Ready N Waiting” set blistering tempos but deliver hooks in abundance while standout melodies can be found on more commercial based tracks “Tomorrow Will Come” and the ballad “Smoke Filled Room”.  The six in question prove that heavy but melodic would be the best way to describe the Crossforce sound.

I never heard the original cassette version but from what other reviewers have said the re-mastering cleans things up significantly.  Yes, a certain amount of thinness is to be expected – although not to the point of distraction – but, otherwise, production is surprisingly sound when considering this is a recordings made using mid-eighties technology.

Again, the 7 “Frontline” demo tracks were recorded live in the studio and, as a result, bring some unpolished elements in staying true to the “live feel” of the recording- you get to hear the introduction to each song prior to it being performed.  Still, the mix comes across clean while, once more, there is no overriding thinness that might turn you away.

Vocalist Tony Krider, who sadly passed away in 2002, might take a more mid-ranged approach than many of his contemporaries of the time – at least in comparison to Les Carlson (Bloodgood), David Raymond Reeves (Neon Cross) or Dale Thompson (Bride) – but certainly is not lacking in ability.  I like to think of him as Michael Sweet (Stryper) singing in a lower register.  Yes, he is that good.

Lead guitarist Phil Castillo is a wonderful talent who nails some monster guitar solos.  “Tomorrow Will Come” reflects a bluesy side to his playing while he cuts loose in shredding fashion on “Our Father”.  His even approaches things from a neo-classical standpoint on “Out Of The Darkness”.  The overall feeling left is an underrated musician that would give just about any guitarist from the time a run for their money (White Throne editor Dave Johnson summed things up best when he described Castillo’s playing as “Randy Rhodes-styled”).

Band Crossforce
Info: USA
Info: Rockin’ ‘Til The Final Day
Style: Heavy Metal
Years: 2011
Info: 192 kbps
???Years: 91 mb

Rockin’ ‘Til The Final Day Tracklist:

1.Tomorrow Will Come (86 Demo)
2.Our Father (86 Demo)
3.Smoke Filled Room (86 Demo)
4.Out of the Darkness (86 Demo)
5.Ready n Waiting (86 Demo)
6.Rockin’ ‘Til the Final Day (86 Demo)
7.Stompin in the Streets (Frontline Demo 87)
8.The Call (Frontline Demo 87)
9.Heavens Door (Frontline Demo 87)
10.It’s Your Life (Frontline Demo 87)
11.Wait And See (Frontline Demo 87)
12.The One Who Loves You (Frontline Demo 87)
13.Weeping World (Frontline Demo 87)
14.Rockin’ ‘Til the Final Day (Lost Practice Session 5-13-87)

Total playing time: 55:34

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album

Crossforce – Rockin’ ‘Til The Final Day (2011)

Band Crossforce
Info: Rockin’ ‘Til The Final Day
Style: Heavy Metal
Years: 2011
Info: 192 kbps
Info: 91 mb
Info: USA

Tracklist:

1.Tomorrow Will Come (86 Demo)
2.Our Father (86 Demo)
3.Smoke Filled Room (86 Demo)
4.Out of the Darkness (86 Demo)
5.Ready n Waiting (86 Demo)
6.Rockin’ ‘Til the Final Day (86 Demo)
7.Stompin in the Streets (Frontline Demo 87)
8.The Call (Frontline Demo 87)
9.Heavens Door (Frontline Demo 87)
10.It’s Your Life (Frontline Demo 87)
11.Wait And See (Frontline Demo 87)
12.The One Who Loves You (Frontline Demo 87)
13.Weeping World (Frontline Demo 87)
14.Rockin’ ‘Til the Final Day (Lost Practice Session 5-13-87)

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Dolly Roll – Emlekszel Meg – Best Of (2009)

Band Dolly Roll
Info: Emlekszel Meg – Best Of
Style: Pop Rock
Years: 2009
Info: 320 kbps
Info: 381 mb
Info: Hungary

Tracklist:

CD1

01.Dolly Roll
02.?br?ndos Sz?p Napok
03.Modern Rom?nc
04.Orsz?g?ti Randev?
05.V?gleg A Sz?v?gyem Maradt?l
06.Viva Mexico
07.Veled Vagy N?lk?led
08.Rock And Rollra H?vlak
09.Tedd A Sz?vedre A Kezed
10.Szt?r Volt Lollypop
11.Ne Vedd ?gy A Sz?vedre
12.S?hajok H?dja
13.M?ria Makar?ni
14.O Volt Az Ki V?rt
15.K?nny ?s Mosoly
16.Stip-Stop’so Vagyok
17.Gina, A Bestia
18.Ciao Amore
19.Szombat Esti Sz?vtipr?
20.Megamix 1
21.Megamix 2
22.Megamix 3

CD2

01.Arrivederci Amore
02.J?t?k Az ?let
03.Elpattant Egy H?r
04.Eldoradoll
05.Engedd El Velem A Fant?zi?d
06.Dulpla Vagy Semmi
07.Csacsi L?ny
08.?ce?n
09.Wind-Sz?rny
10.R?-R?-R? Hajr?
11.K?so A B?nat
12.Baby Ma V?rlak
13.Let-Kiss Week-End
14.Zakatol A Sz?v
15.J?jj Sz?vem Visszav?r
16.Valaki Kell Nekem Is
17.Kolibri Panzi?
18.Eml?kszel M?g
19.Vak?ci?-?-?
20.Megamix 4 (Bonus Track)
21.Orsz?g?ti Randev? 2010 Hamar J?nos Remix
22.Dolly Roll Crag P. & Gaborson Party Megamix

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Brent Vallefuoco – Higher (2011)

Inspired by Great Science-Fiction films as 2001: A Space Odyssey, Solaris, Akira and Blade Runner, this album is a cosmic-themed Space-Rock adventure fit to be a soundtrack to a voyage into the world beyond the world.

Inspired by Great Science-Fiction films as 2001: A Space Odyssey, Solaris, Akira and Blade Runner, this album is a cosmic-themed Space-Rock adventure fit to be a soundtrack to a voyage into the world beyond the world. Complimented by thoughtful lyrics and musical influences from several Progressive-Rock artists and film soundtracks, this album is an experience to be had.

I originally planned this album to be a Concept Album with a story about a distressed child desperately trying to fit in with a world he hated and could not understand, but as time went on, I became more interested in giving this album a Science-Fiction theme. So the only real possible concept linking the whole album together is its adventurous feel, but it really isn’t a Concept Album.

While there isn’t any real link connecting the whole album together, there are two common ideas; the nature of the universe and the nature of family.

The first track on the album, “Gods In Hell (Intro)” presents a metaphoric replacement of Nature and Analog music with Machinery and Electronic music. It is meant to lead into “Gods In Hell,” which discusses that due to technology, humanity has changed into something else and lost its true nature. Also dealing with the universe, “Akira,” discusses the theme of the Universe being cyclic in several ways, which is also a prominent theme in Katsuhiro Otomo’s Anime masterpiece of the same name.

The other thematic group of songs in the album is “Hope In Desperation”, “Who Are You?” and “A Doll’s House.” The first song, the most personal on this album, is about my unborn brother, who died through miscarriage after 7 months of my mother’s pregnancy. After having ill feelings about having a new member of the family, I felt disgusted at myself once he had died. I found myself wondering what it would’ve been like if I would’ve known him, feeling more remorse the more I wondered. I decided to channel those feelings into the song. The theme of the next song, “Who Are You?”, is about the extreme limitations of communication. We can never truly know each other, because there is no way to communicate every experience an individual has had to another. All we can ever truly know about a person is their appearance, the things we are told about them (which may not even be true) and the things that we see them do. We can never truly know their thought process, their true feelings and everything that they’ve experienced. We can not even imagine the complexity of another human being. The final song in this group, “A Doll’s House”, combines these themes into one and states that the idea of family technically only exists in our minds, so families that do not get along well should not have to feel like they owe each other something. Rather, they should be able to go their separate ways and not have a commitment to each other.

Genre: Rock: Progressive Rock
Release Date: 2011

1. Gods In Hell, (Intro) 01:55
2. Gods In Hell, 05:53
3. Noir, 03:37
4. Akira, 06:55
5. Lyrics From A Cloud, 04:31
6. Hope In Desperation, 09:01
7. Who Are You?, 06:05
8. A Doll’s House, 05:58
9. A Doll’s House (Outro), 02:58

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