Progressive rock, also known as prog rock or prog, is a rock music subgenre that originated in the United Kingdom, with further developments in Germany, Italy, and France, throughout the mid-to-late 1960s and 1970s. It developed from psychedelic rock and originated, similarly to art rock, as an attempt to give greater artistic weight and credibility to rock music.
Band Riccardo Zappa
Info: Chatka
Style: Rock Progressivo Italiano
Years: 1978
Info: 320 kbps
Info: 89 mb
Info: Italy
Tracklist:
1. Emphasis
2. St. Dumont
3. La Chitarra a Pila
4. Chatka
5. Vivre
6. Eleila
7. Piraeus
8. Numero Unico
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Band After Crying
Info: 1989
Style: Symphonic Progressive Rock
Years: 1989
Info: 320 kbps
Info: 105 mb
Info: Hungary
Tracklist:
1. K?sz?nto I. (Greeting I.)
2. Haj? (Ship)
3. She had..
4. Szakasz (Squad) – Suttog? ?nek (Whisper Song) – K?sz?nto II. (Greeting II.) – Jesu dulcis Memoria – Szamba (Samba)
5. L?g?res t?r (Empty Space)
6. Fly!
7. Nekrol?g (Obituary)
8. Gener?ci? (Generation)
9. Sirat? (Wailing) / K?sz?nto III. (Greeting III.)
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Italy’s Eyes of Soul has issued the following announcement about signing with Underground Symphony for the release of the “Cyberian Tales” album:
“We’re proud to announce the reaching of an agreement with historical metal label Underground Symphony for the release of our debut album ‘Cyberian Tales;’ recorded by Mattia Stancioiu at Elnor Studio and mastered by Jürgen Lusky at House Of Audio Studios in Germany, the CD will be available in the coming weeks in an elegant digipak package with a booklet of 20 pages.”
For more information on Eyes of Soul and to check out songs available for streaming online, head over to the band’s MySpace music profile here.
1. Prologue 01:29
2. The Dreamer 07:01
3. Cyberia 07:04
4. Strange Skies 07:25
5. Maelstrom 03:49 instrumental
6. Past Memories 08:05
7. AngHell 05:47
8. Black Madam 07:36
9. Closer 05:53
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1.Killer Sweets 04:53
2.Incarnat 04:44
3.Lighthouse 04:55
4.This Dying Love 04:42
5.Strange Cargo 05:04
6.Peccavi 05:06
7.Deviance 04:59
8.Clairvoyance 07:00
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The second album by Epignosis, Mr. Brown has really made great strides forward all around, (from what was an already impressive debut).
For those unfamiliar, Epignosis plays a melodic, textured and symphonic style of progressive rock. This is the path followed taken again on “Refulgence” and while not unprecedented, it does not need to be. Instead of sprawling, dense epics that test your patience and tolerance of self indulgence, “Refulgence” is a very mellow album, dominated by piano and synth, ripe with acoustic and clean guitar, with some crunchy guitar tones thrown in, harmonious bass and punctuated with soothing vocals. Brown’s wife, Tasha, has an increased role on this album and her vocals can be described best as angelic. Wish their natural voices could shine throughout and not occasionally dive into effects, which happens a few times, but that is just the personal preference of this reviewer.
The songs on “Refulgence” have been trimmed down, (or maybe simply broken up) and instead of the 8 minute + songs heard on “Still the Waters” there are more here, all under 6 minutes in length with one exception: the 17 minute self titled track. After an ambient intro piece, said title track begins and is really a microcosm of the album. Everything is here in one song, drifting gently from section to section and has quite a variety within its frame. Also here one will notice the greatly improved drumming, which, (while not a buzz kill on “Still the Waters”) was a bit rough at times and lackluster. The physical sound is much improved with this album, as is the actual drumming. On a related note, while not really an issue before, the overall production is also better…and kudos to Brown for developing as a complete musician.
Band Epignosis
Info: Refulgence
Years: 2011
Info: USA
Style: Sympho Prog
Tracklist: Mp3/ 320kbps
Info: 114 Mb
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1. Effulgence (1:51)
2. Refulgence (17:21)
3. Bold Eternal Day (5:53)
4. Hope Maketh Not Ashamed (4:47)
5. If the World (4:02)
6. Vestibule of Smoke (2:17)
7. Riddles in the Dark (4:19)
8. A Handful of Humanity (4:49)
9. Fade (2:30)
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– Robert W. Brown, Jr. / All instruments and vocals
– Tasha Nichole / Vocals
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1. Master And The Simulacrum (6:45)
2. The Depraved (4:20)
3. Battle Within (5:50)
4. Hammerhead (5:50)
5. Flagiston (6:15)
6. Autumn Rain (5:55)
7. The Beginning Of Nothing (6:04)
8. Genesis Part 1 – The Celestial Architect (8:43)
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The iconic symphonic rock vocalist returns after a 4-year hiatus.
After a four-year break since her last album, Lana Lane is back with her most powerful release to date, “El Dorado Hotel.” The veteran symphonic rock diva delivers a 10-song tour-de-force of finely crafted original tracks in an audiophile production by husband/keyboardist, Erik Norlander. “El Dorado Hotel” hosts Lane’s usual broad spectrum of musical styles and genres with a cohesiveness that fans of the artist will recognize instantly. The opener, “A Dream Full of Fire,” is a new Lana Lane classic that blurs the line between prog metal and jazz stylings in a mélange that only she can deliver. “Maybe We’ll Meet Again” is a European-styled melodic AOR radio anthem blending classic rock with modern sensibilities. The song, “El Dorado,” is a Lana Lane epic with a soaring chorus reminiscent of her classic, “Queen of Ocean.” The robust “Darkness Falls” introduces an Irish folk style combined with a gothic metal element with its haunting choral vocals and arena-crafted chorus. Then “Hotels” is an acoustic track that evokes jazz standards like “Autumn Leaves.” The tracks, “Believe,” “Life of the Party,” “Gone Are The Days” and “Moon God” add further threads to the “El Dorado Hotel” tapestry. The album closes with the 11-1/2 minute opus, “In Exile” that producer Erik Norlander describes as a “vintage progressive rock epic.”
The musicians of “El Dorado Hotel” are a top-notch group of artists including both new and familiar faces. Lane says about the musicians, “Both Freddy DeMarco and Mark Matthews did some fantastic work on Erik’s solo project, “The Galactic Collective”. I then had the opportunity to play with them both during some live appearances in 2011 when I sang with the band. After having played with the guys and getting to know them, I knew that I wanted them to be a part of this project as well. Then for John Payne, Jay Schellen, Guthrie Govan and Bruce Bouillet (ex-Racer X), as you know, Erik been has playing with John Payne for about 5 years now. When the original 1982 lineup of ASIA reformed a few years back, John Payne formed his own separate band to continue all the work that he had done with ASIA during his 14-year run and many albums with them. So John and Erik tour as “ASIA Featuring John Payne,” and they’ve probably played over a hundred shows together.
Jay is the drummer in the band, and both Guthrie and Bruce have been the guitarists. Bruce is working with them currently. I of course go to a lot of their shows and have become friends with all of them. It is a great group of people, and they are all very talented musicians. Since we see them so much and Erik plays with them constantly, it was only natural to work with them on this album. And then finally for Mark McCrite, Neil Citron and Don Schiff, all three of them have been on so many Lana Lane albums going all the back to my very first album in 1995. It’s great to continue working with them through all these years.”
Songs for El Dorado Hotel were written by Lana Lane, Erik Norlander and longtime collaborator, Mark McCrite, who comments, “My favorite songs on the album are ‘El Dorado’ (with the fantastic Spanish guitar) and ‘A Dream Full of Fire’ – that’s a really killer ‘classic’ Lana Lane track.” You can hear those two songs from the album in their entirety at the Think Tank Media web site: www.thetank.com/lledh.htm
Lana Lane – El Dorado Hotel musicians:
Lana Lane – vocals
Erik Norlander – keyboards, additional guitars, bass and programming
with
John Payne – harmony and choral vocals, mandolin Mark McCrite – guitars, bass, choral vocals, programming Bruce Bouillet – guitars Neil Citron – guitars Freddy DeMarco – guitars Guthrie Govan – guitar Don Schiff – NS/Stick Mark Matthews – bass Jay Schellen – drums
Produced by Erik Norlander for Think Tank Media, USA
Lana Lane – El Dorado Hotel track list
01 A Dream Full of Fire [8:25]
02 Maybe We’ll Meet Again [5:39]
03 El Dorado [6:12]
04 Darkness Falls [5:12]
05 Hotels [3:40]
06 Believe [6:03]
07 Life of the Party [4:03]
08 Gone are the Days [6:23]
09 Moon God [5:08]
10 In Exile [11:43]
Worldwide release date:
January 25, 2012 on the Think Tank Media and the Avalon (Japan) labels Both label versions contain the identical track listing – there are no bonus tracks on any edition
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Band Atomic Opera
Info: For Madmen Only
Style: Hard Rock / Progressive
Years: 1994
Info: VBR ~250-270 kbs
Info: 100.82 Mb
Info: USA
Tracklist:
01 – Joyride.
02 – Justice.
03 – Achilles’ Heel.
04 – I Know Better.
05 – All Fall Down.
06 – War Drums.
07 – Blackness.
08 – December.
09 – This Side of the Rainbow.
10 – New Dreams.
Rip By: Pipe Desertor
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Band Made In Sweden
Info: Made In England
Style: Progressive Rock
Years: 1970
Info: 320 kbps
Info: 99 mb
Info: Sweden
Tracklist:
Winter’s A Bummer
You Can’t Go Home
Mad River
Roundabout
Chicago, Mon Amour
Love Samba
Blind Willie
Little Cloud
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Band Pererin
Info: Tirion Dir
Style: Progressive / Folk Rock
Years: 1982
Info: 320 kbps
Info: 97 mb
Info: U.K.
Tracklist:
1. Llosgi Yn Fflam
2. Harri’r VIII
3. Boed Fy Nghalon
4. Niwl a Than
5. Lisa Lan
6. Y Gelynen
7. Gweld y Gwir
8. O Ferch y Ffair
9. Y Capten Newydd
10. Mynwent Eglwys
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