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BROTHERS in ARMS BAND ‘Whats Life For” is the third release from band . The album is Heavy hitting rock in roll with southern roots. It’s what BROTHERS in ARMS BAND fans come to love about the music. Staying true to Rock in Roll…
Unique record pre-sound full Lp,Ep of all genres – Melodic Rock Aor and Hard Heavy Metal from plotn08
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If high scores were given for album art alone, New Jersey’s Thank You Scientist would score big for their first full-length album, Maps of Non-Existent Places. I love sci-fi art from the classic period, especially when it’s packaged in a format of early stereo records. Yet, what lies within? Something I couldn’t have expected.
Here’s a band of seven fellows, adept in many genres and very talented, playing about twenty different instruments, including cello, saxophone, and trumpet, to create ambitious progressive rock. I say ambitious when other words are also required. The arrangements are thick with complexity, significant mood and time changes, and individual showcase performances. There so much going on in every song, it takes several spins to wrap the arrangements around your head.
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Legendary Nashville Rockers of the late 80’s and early 90’s bring you one of their classic albums on CD for the first time
Every town across America in the 80’s and early 90’s had its own unique local hard rock/heavy metal scene, and Nashville was no exception. And during those years, there was one mainstay that ruled the Nashville Hard Rock Scene, regardless of the countless name changes, formations and deformations, and revolving doors. The core of that mainstay was the Simmonz brothers: Mike, Paul, and Jamie. Now to tell you the story of the Simmonz Brothers would be a book in and of itself, so we will merely touch on the genius of the Simmonz brothers and a few of their band mates in the next few paragraphs.
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This quintet from Lillestrøm makes a clear and good debut album, “Muriel’s Dance” on Ovis Records. It is quite clear where the band puts the list, and should probably be something for everyone who likes a little sludge, metal and rock. The music itself is probably not as exciting for the seasoned, perhaps, but there are some things that pull up on the execution. Among others it has scope to Daniel (vocals), which makes up well for the album. The jump from a little more Phil Anselmo on the rock-sections, and second, maybe Dan Svanøe the softer, shows that it does well to have some experience in the field vocalist. I assume that this is something the singer (s) will continue to stay focused on, since it did well at several places during this album.
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From out of Dallas comes the hard rocking quartet that calls itself Love Stricken Demise, and they’ve just released their first EP, a four track disc called Pyschotrip. Although the band may be unfamiliar, some of the members may not be, particularly if you are a fan of American Idol.
Founded in mid-2011 by guitarist (and actor) Billy Blair and drummer Rico, Love Stricken Demise went looking for a voice and quickly convinced American Idol finalist Nikki McKibbin to front the band. They soon added bassist / guitarist (and celebrity hairdresser) Holly Wood and the lineup was complete. After a few live gigs they hit the studio to record a single, “Celebrity High,” and then their EP. Psychotrip was produced by Grammy award winner Sterling Winfield (Hellyeah, Damage Plan, Pantera), and the veteran’s touch is obvious – allowing LSD to deliver a very polished and consistent sound.
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On the ground italicize flag of U.S. school progressive metal (Dream Theater, Symphony X) seems to have taken root in a marked … only in the last period on our virtual desk will be landed at least ten discs falling within this genre! Futile statistics aside, also present here Replosion, quintet led by brothers Galletto (guitar and drums respectively), and orbital areas of Mantua in Lombardy, Veneto and Emilia, may well be classified in the chaos of the kind mentioned above. What we believe can (and will increasingly) to this interesting group to emerge from the standard of the genre is a seemingly innate propensity to compose melodies well-aimed, that softened the difficulty and the high technical content of the songs and bring the proposal at levels more user friendly, allowing the band to avoid the trap of proposing mere exercises in style and technique. The latter is certainly present in all the work (the borrower guitarwork strongly the lesson of Romeo of Symphony X, blended with a drumming school Portnoy, amply demonstrate), but fortunately is not the only goal of the band, which seeks to move away from merely trying to put quotations in the overall sound a bit ‘of sound speed and strength drawn from the power metal (“Push Me Down”), and also some shots of elegant rock settantiano, which help to soften the
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Wrapping your head around Spiral’s music isn’t all that difficult. But their vivid imagination, that could take some time and resolve. This prolific duo, which has released nine singles and seven albums since 2009, brings atmospheric and ethereal prog rock, near to early space rock. As for the stories or concepts, let’s just say that these guys think, well, differently.
At the very least, Aaron Frale (g,v) Chris Boat (b,k,v) are sci-fi geeks, or better imaginative fiction wonks. The story behind Mind Trip in A Minorcertainly flows from the latter. At the Bandcamp link, you can read more about a man traveling in his own mind, or not, finding a beast who eats his own heart, a snake that ‘takes half of what he gives,’ and girl who seems to save our hero, or not, from the same.
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2012, OZ has always been one of the bands that only the underground metal movement coveted and hailed with swords high, but they never really caught on to a more level playing field of recognition. They made a splash with their 1983 album FIRE IN THE BRAIN, a New Wave Of British Heavy Metal-flavored energetic metal affair that won over critics and fans alike. The subsequent albums, however, failed to elicit the same response, and the band faded from worldwide view. Now the band is back with their latest album BURNING LEATHER and a new compilation of songs taken from III WARNING and DECIBEL STORM albums, and TURN THE CROSS UPSIDE DOWN- EP entitled VINYL TRACKS.
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The Gin Act is the second shot for the Swedish sleaze band formed by singer John Elliot (their first being 2010’s Lights Out) and hell… this EP slips down well.
First on the rocks is “Divine 69” with its twin axe attack, gang vocals and contagious chorus. “Delightful Lies” opens with an ironically mournful riff before theMaidenesque “Flickorna Pa TV2” (surprisingly written by a member of Roxette!) makes life a little heavier, nastier and definitely darker. What hits me throughout The Gin Act is melody — and believe me it’s served up in double measures. Elliot‘s diction is perfect, his sleazy delivery definitely West Coast, whilst guitarists Daniel and Blomman trade spacey power chords and fills with restrained and beautifully constructed solos. The rhythm section is heavy but subtle, making these guys tight but loose — and I’m converted.