Unique record pre-sound full Lp,Ep of all genres – Melodic Rock Aor and Hard Heavy Metal from plotn08
The style of the late 80s – when instrumental guitar rock was at the peak of its popularity – to this day curiously dictates its methods to legions high-tech guitar aspirants all over the world. Seattle born and raised Brian Hunsaker is one such hopeful who on his freshly released CD channels the vibes of the time when the shred gurus of today were still at their tadpole stages.
1. Skin Deep 2. Constantly Runnin' 3. 98 Blues 4. Need My Rest 5. Stone Rollin' 6. The Last Show 7. Black And Blue Salvia 8. Sweet Disguise 9. Blue Skies For Fools
By: Nick Boeka
In an age where technology allows musicians to rely heavily on post-production, vocal shifting and “studio-magic,” it’s a great relief to pop in Gaslight Street’s freshman release, Blue Skies for Fools, and hear the honest sounds of rich guitar, scratchy vocals and notable improvisation. These nuances lay the foundation for a bright future, and are spread throughout the record, offering a glimpse into the heart and soul of this group from Charleston, SC. Fans of early Black Crowes will find much to connect with in this young band with such potential.
With heavy emphasis on vintage keys sound, Jason Stokes uses organ and Wurlitzer to provide the melodic backbone for Brooks DuBose and Frank Nelson to compliment with drums and fat-bottomed bass, respectively. Rounding out the group’s sound is singer-guitarist Campbell Brown, whose unique vocals and emotional stories, like first track “Skin Deep,” offer something missing in much of today’s music.
From start to finish there is a progression of intensity, culminating with “Black & Blue Salvia,” which has a really great hook throughout the song that double times in the verses. One can imagine this song opening up to a nice long exploratory jam in concert. The final and title track brings it back home with a nod to the classic Southern rock sound, featuring an acoustic setup and catchy chord changes. All they need is to attack the road hard, spread their music to the masses and there’s no way that Gaslight Street could ever run out fuel.
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BandStevie Nicks
Info: I Can’t Wait
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Tracklist:
01 I Can’t Wait (Time Space Version)
02 Edge Of Seventeen (Live)
03 I Can’t Wait (12” Version)
04 Sleeping Angel
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Shameless – Greatest Hits Of Insanity (2012)
Year: 2012
Style: Glam/Sleaze
Country: Germany/USA
Format: mp3, 320 kbps
Size: 167mb
Tracklist:
1. Daydream Believer
2. Queen 4 A Day
3. Dirty Shirt
4. Web Junkie
5. Lonely Night in Paradise
6. Talk To Me
7. Nonstop City
8. Crashdown
9. Steal The Girlz
10. U’re The One
11. Better Off Without You
12. What You Want is What U Get
13. Talk To Me
14. She’s Not Coming Home
15. Tomorrow
16. Start Me Up
17. We Won’t Take Your Shit No More
18. Realize
Founded in 1989 by bassist and songwriter extraordinaire Alexx Michael, Shameless has teamed up with Demon Doll Records to bring you all the best of what the guys have to offer! “GREATEST HITS of Insanity’ is jam packed and busting at the seams with over 70 Minutes and 18 songs of pure Glam Rock Genius! This disc has everything a Glam & Sleaze junkie could desire.
Steve Summers from Pretty Boy Floyd – check
Stevie Rachelle from Tuff – check
Phil Lewis from L.A. Guns – check
Eric Singer from Kiss – check
Keri Kelli from Alice Cooper & Pretty Boy Floyd – check
If that isn’t enough to make you tremble a bit, we’ve got the best of the albums ‘Backstreet Anthems, ‘Queen 4 a Day’, ‘Famous 4 Madness’ as well as four cover songs from the likes of the Rolling Stones and Kiss!
This is just a carnal feast of Glam, Sleaze and Hair Metal at its finest. So let’s set the dial back to the golden era and get ready to go full throttle into a celebration of some of the coolest rock stars on the planet, All hail Shameless! All hail Rock ‘N Roll!
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Air Supply is an Australian soft rock duo, consisting of Graham Russell as guitarist and singer-songwriter and Russell Hitchcock as lead vocalist. They had a succession of hits worldwide, including eight Top Ten hits in the United States, in the early 1980s. They formed in Melbourne, Australia in 1975 and have included various accompanying musicians and singers.
BandAir Supply
Info: Sanctuary
Style: AOR
Years: 2011
Info: mp3 CBR 256
Info: 8 mb
Upload: depositefiles
Info: :Australia
??????? AORa – Russell Hitchcock ? Graham Russell.
Tracklist:
01.Sanctuary
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Band Last Temptation
Info: USA
Info: Last Temptation
Style: Hard Rock
Years: 1991
Band1997
Info: MP3 CBR 192 kbps
Info: 65.3 mb
??? ????????????? Radoslav Y.
Tracklist:
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Pat Mcgee Releases No Wrong Way To Make It Right
No Wrong Way To Make it Right is the title of Pat McGees new album. The album will be available at all his upcoming shows, including the sold-out show at City Winery in New York on Friday, February 18 and the sold-out show at the Birchmere in Alexandria, VA on Friday, February 25. Tickets are still available for shows at Infinity Hall in Norfolk, CT on Thursday, February 24 and The National in Richmond, VA on Saturday, February 26. Tickets are on sale for other upcoming shows, as listed below.
This will be a limited release before I present it online, so if you cannotmake it to a show, place your order now by clicking here:
http://patmcgeeband.shop.musictoday.com/
Pats word about the record
I am so proud of this record for lots of reasons. It is by far my mostpersonal record, touching on subjects I formerly shied away from and at thesame time staying true to what comes naturally to me. It has my heaviest andmost delicate moments ever caught on tape. It truly is a reflection of allthe music I grew up loving and couldn’t hide from–it’s all there in thesetracks. The album represents the perfect blend of all my influences. (Please see my journal below for much more about each of the songs and the making of the album.)
The album is produced by Doug Derryberry, a longtime friend and someone that Iadmired as a wide-eyed 17-year-old taking in the local bands in the DC musicscene. I wrote some of the songs alone at home and some on the road with friends such as: Jason Mraz, Stephen Kellogg, Ryan Newell of Sister Hazel, Keaton Simons, Mike Daly from Whiskeytown and Emerson Hart from Tonic.
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No Wrong Way To Make It Right
Juliet
How We Got Here
See You Again
End Of The Innocence
Take A Bow
Done To Me
They Think We’re Not Gonna Make It
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I love it when a press kit smacks back. I’m reading the first few lines of the page that accompanies my copy of Eric McFadden Trio’s Joy of Suffering as it describes the jaded contemporary music scene, anxious anticipation of the coming of the EMT, etc. blah. “What a pile of exaggerated schlock,” I think. Then the next line: “Lest you dismiss the preceding as absurd hyperbole.” Oops, caught me. Suddenly I’m a lot more interested!
Eric McFadden is a dirty dirty boy. His music is dirty, his guitar is dirty, his attitude is dirty. Not dirty in a screaming “fuck” in a childish attempt for attention sort of way, mind[1], but in a more of a tongue in cheek in-depth thing. Basement level no holds barred, Joy of Suffering looks a lot nicer than I would expect a garage band to kick out. But it seems McFadden has a bit of a legacy to justify his shiny cardboard fold out sleeves while still being all disgruntled about music at large and getting away with it – adult like, not child like.
He’s seen the road with the likes of Bo Diddley, Joe Strummer, Reverend Horton Heat, Ron Wood, Les Claypool, George Clinton. The list goes on, but those are a few of the names that hit me. From classic rock to alternative, funk to ‘abilly, McFadden’s been out there. This time around he’s brought James Whiton (bass, stand up even which way cooler than my bass) and Paulo Baldi (drums) with him for the Eric McFadden Trio, and mixed up a whole bunch of brews on one album. McFadden himself isn’t even sure what to call it – “for the most part, it’s a rock band.” We’ll just go with that for now and take a listen to the dirty dirty tracks.
The funk-punk Put it Down cranks it open. Stoner rock in the sense that I’d break shit were I stoned. This has got to be an amazing pit song – raw, dirty, energetic with Eric’s “I don’t need to really sing I’m that cool” vocal aesthetics. Whiton’s bass are like nail gun shots to the temple. Bury Our Sins lopes up jauntily like a messy four month old zombie on steroids with castanets on its heels. Long Way Up surprises us by being a timid ballad.
Dig Whiton’s funky slapping on Miranda, a Spanish sounding or western sounding folk tune that feels like it bleeds tequila and dances in Tijuana. I keep waiting for John Wayne to stumble in with a Mexican hooker blowing his dick and a bottle of rum hanging from his pinky. Is the Morning Safe For Waking? is a good question and a grungy tune.
Nice work, your absurd hyperbole is awarded with honors. Joy of Suffering is a lot of fun with or without the alcohol and the drugs – with it you’ll break shit, without it you’ll contemplate the interesting lyrics. I’m not quite sure what would happen were you to involve acid. But it’s great fun had all around, from the stroppy Bury our Sins to the loping instru-grunge of The Ghost-Maker. Dirty dirty fun for dirty dirty adults, have at it then. Everyone gets to be that sometimes.
Band Eric McFadden Trio
Info: USA
Info: Diamonds to Coal
Years: 2005
Info: MP3 CBR 320
Info: 126 ??
Exsclusive From plotn08.org
Tracklist:
1. Put It Down
2. Bury Your Sins
3. Long Way Up
4. Miranda
5. Memories Can’t Wait
6. The Rise of King George II
7. Is the Morning Safe For Waking?
8. The Ghost-Maker
9. The Ghost of Saint Patrick
10. Never Gonna Burn
11. Fill My Cup
12. Limitations
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Download Single For Promo Use Only
Turns out the title of Tom Waits’ last all-original studio full-length, 2004’s ‘Real Gone,’ was just a play on words. The Rock and Roll Hall of Famer has just hit back, dropping the single ‘Bad as Me,’ on iTunes today (Aug. 23).
Waits also revealed some bullet points concerning his upcoming release, also titled ‘Bad as Me,’ as well as the tracklist. The 13-song album (or 16, if you buy the deluxe edition) drops on Oct. 25 and is available for pre-order now.
Though he’s been a musical chameleon over his legendary career, fans will be happy to hear that the sinister single isn’t some gigantic departure. And while we might be the same kind of bad as Waits, we certainly can’t claim to be anywhere near the same kind of bad-ass. Check out the tracklist and song below.