Category: All Exclusive

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Spectacular debut for the German formation DARK THE PATH OF SALVATION.
That Powerwolf tremble, for the crown of Dark Power Metal is very controversial with this new project, also German.

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Watching Gothenburg-based SPIDERS’ video clip for “Hang Man” (available below) and all those things happening in such a tiny attic, I was stocked; these guys surely know how bluesy Retro Rock should sound, dealing with the perfect portions of Punk and, of course, psychedelia (the Orange amps in the background surely give a hint to the potential listener). So, what is Swedes’ music about leaving aside the enticing wrapping paper (including Ann-Sofie’s GIRLSCHOOL-esque vocal skills/beauty)?

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Grab a bottle of beer, relax on your couch and spend some time getting rid off any frustrating thoughts; THE SCAMS is here to cast off your inhibitions with an album that smells like a Rock ‘n’ Roll fresh paint. The Sweds perform a style similar to BULLET, meaning they also incorporate AC/DC and KROKUS in their style but this time with some of the post-MOTÖRHEAD volume of THE HELLACOPTERSor Greece’s NIGHTSTALKER. It’s an amalgam of Rock n Roll with Hard Rock and street Metal, to give you an idea.

Clocking to something more than 35 minutes, “Bombs Away” sounds vintage at times and that’s the crucial point of difference between them and e.g. BULLET. The vocals have that ‘old epoch’ echo and the guitars remind me of a more hardrockin’ GRAND MAGUS style also. See, we found some other point of reference as well. The songlist itself is not outstanding; I do not know what kind of songs can surprise us anymore, to be honest. Yet, THE SCAMS do what they got to do in quite a fascinating way and they can put you in the mood quite easily without huge refrains or a monstrous production. They choose to play as fans and deliver their souls to what they’re doing; you can hear this fact in the CD’s grooves.

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The members of The Outside come from Chile, Turkey and Germany and thus combine different nationalities and musical backgrounds. They offer a sophisticated blend of prog-influenced melodic thrash metal that has a high recognition value. 2009 they recorded their first demo in the Monogo studios, which are also known for other rock and roll greats like Motörhead. Her vision stems from the multicultural German capital Berlin, where they performed with an internationally respected metal bands like Sodom and Vicious Rumors and sold hundreds of demos. Mixed and mastered the album by Igor Leiva of the Atomic Noise studios in Santiago and the great cover design was was done by Claudio Bergamin, who is famous for his work with Rob Halford, Criminal, Paradox or Accept.

Among fans of AOR melodic rock Britain’s Dare, formed by vocalist and keyboard player Darren Wharton (Thin Lizzy), has a legendary status, one that blurs line between cult and mystical. Every album they’re released has been exceptional, receiving critical acclaim. But Dare’s albums were not easy to get, especially here in the the states.

NOW! Like a Breaking Benjamin Papa Roach Threee Days Grace!

The much anticipated follow-up release to “Found Their Way Home”. Hard rock meets alternative and comes alive to produce this deep, catchy, hard-hitting collection of songs.

A one-and-a-half-minute video explanation of the cover artwork for the new album from New York progressive rockers COHEED AND CAMBRIA, can be seen below.
COHEED AND CAMBRIA’s sixth studio album, a double concept album entitled “The Afterman”, will be released in two separate full-length volumes.
The first volume, “The Afterman: Ascension”, will be available on both physical and digital platforms in the U.S. on October 9 via Hundred Handed/Everything Evil, and distributed through Fontana/Ingrooves(to be available in Canada via Universal Music Canada). The second volume, “The Afterman: Descension”, is due in February 2013.

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Get ready to return to the golden age of ‘Evy Metal Piracy with 9 tracks of rip roaring adventure, lightning fast riffs, thunderous drums and more rum soaked vocals than have ever been put to tape.

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We all know you shouldn’t judge a book by its cover. But when a record turns up on your desk bearing the kind of artwork you’d find on a gothic market stall t-shirt, you can make a pretty good guess at what the music contained beneath the hooded, scythe-wielding Grim Reaper on the front.

The album in question is Birmingham rockers Nightblade’s album ‘Servant to Your Lair’. It’s a record that offers little in the way of surprises from the moment you pick it up; brittle, brash guitars, hard-rock solo-orientated, lyrics laden with shadowy clichés.