Stream and listen to new and full Hard Rock/Heavy Metal/Melodoc AOR music albums before their official release.
Firmly at the forefront of the progressive rock and metal scenes for nearly three decades now and one of modern rock’s acclaimed live acts, Sweden’s Pain of Salvation return with the follow-up studio album release to 2017’s acclaimed “In The Passing Light Of Day”. And PANTHER,
Third album by Danish rockabilly/hardrockers Grumpynators. Produced by Søren Andersen (Glenn Huges, Mike Tramp) in Medley Studios CPH. For fans of Motörhead, Social Distortion and Volbeat.
Second album of the Austrian thrashers after ‘Hell Awakening’ from 2017, the band has gained a lot of live experience over the years, playing at the biggest festivals all over Europe, like Wacken Open Air, Metal Days Slovenia, Nova Rock Festival with bands like Crowbar, Biohazard, Arch Enemy, Soulfly, Obituary etc. Topics like religion, corruption, lies and faith are anchored in Silius’ lyrics. For fans of Pantera, Lamb Of God, Exodus, Testament etc.
Legendary British Blues Rock band Savoy Brown led by founding member Kim Simmonds, announces the release of their exciting new album, Ain’t Done Yet, on Quarto Valley Records.
Genre: Glam Hard Rock
Year: 2020
Country: USA
UK rockers Slade will be releasing a new compilation album titled Cum On Feel The Hitz: The Best of Slade via BMG on September 25, 2020.
Former KISS lead guitarist Ace Frehley will be releasing his second covers album titled Origins Vol. 2 via eOne on September 18, 2020.
For the past two years, Joe has worked tirelessly on his sixth and best solo album. For the production of this album, he had the help of Micky Curry, a powerful drummer who has played with Hall and Oates, Alice Cooper and more.
Debut Album from Gothic Metal Band featuring members of prog/power metal band METATRONE (Stefano “Ghigas” Calvagno – guitars, Dave Brown – vocals, keyboards)
n the past 15 years or so, the world of contemporary progressive rock music has seemed to solidify on bands who either tow the expected traditional lines of the genre, and those who spend a lot of their time denying that they play “prog” at all. And then there’s The Tangent.