Band Mike Welch
Info: Catch Me
Style: Blues, Rock
Years: 1998
Info: CBR 320 kbps
Info: 124 mb
Info: USA
Category: Blues
Blues is the name given to both a musical form and a music genre that originated in African-American communities of primarily the “Deep South” of the United States around the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads.
Monster Mike Welch – Axe To Grind 1997
Band Monster Mike Welch
Info: Axe To Grind
Style: Blues, Rock
Years: 1997
Info: CBR 320 kbps
Info: 114 mb
Info: USA
Monster Mike Welch – These Blues Are Mine 1996
Band Monster Mike Welch
Info: These Blues Are Mine
Style: Blues, Rock
Years: 1996
Info: CBR 320 kbps
Info: 113 mb
Info: USA
Peter Karp & Sue Foley – Beyond The Crossroads 2012
Band Peter Karp & Sue Foley
Info: Beyond The Crossroads
Style: Modern Electric Blues
Years: 2012
Info: CBR 320 kbps
Info: 102 mb
Info: Canada / USA
Walter Trout – Blues For The Modern Daze 2012
Band Walter Trout
Info: Blues For The Modern Daze
Style: Blues Rock
Years: 2012
Info: CBR 320 kbps
Info: 188 mb
Info: USA
Delta Moon – Delta Moon 2002
Band Delta Moon
Info: Delta Moon
Style: Blues, Blues Rock
Years: 2002
Info: CBR 320 kbps
Info: 95.4 Mb
Info: USA
Delta Moon – Goin’ Down South 2004
Band Delta Moon
Info: Goin’ Down South
Style: Blues, Blues Rock
Years: 2004
Info: CBR 320 kbps
Info: 100 Mb
Info: USA
Delta Moon – Howlin’ 2005
Band Delta Moon
Info: Howlin’
Style: Blues, Blues Rock
Years: 2005
Info: CBR 320 kbps
Info: 101 Mb
Info: USA
Royal Southern Brotherhood – Royal Southern Brotherhood 2012
Band Royal Southern Brotherhood
Info: Royal Southern Brotherhood
Style: Modern Electric Blues
Years: 2012
Info: CBR 320 kbps
Info: 121 mb
Info: USA
Anders Osborne – Black Eye Galaxy (2012)
Swedish expatriate and favorite son of New Orleans Anders Osborne will release Black Eye Galaxy May 1 via Alligator Records.
This record follows the critically acclaimed American Patchwork, an album bringing Osborne as a solo act to a considerably broader national audience. Recorded at Dockside Studio in Maurice, La., the album sees Osborne take on production duties along with engineer Warren Riker (The Fugees, Lauryn Hill and Santana) and Stanton Moore of Galactic. According to the release, the album title is a metaphor for Osborne’s often-troubled life as a traveler, a musician, an immigrant, a recovering addict, and as a husband and father.